“Electronics and metal alloys, computer chips and state-of-the-art plastics: all have been applied to the piano’s design, but they don’t improve the original appreciably. It is what it is, a perfect articulation of an idea that occupies a kind of cultural cul-de-sac. It’s the ultimate expression of one strand of our mechanically clever culture (think of the typewriter or the computer keyboard) joined to our specific notion of music based on the diatonic scale. Its great genius is to translate the merely mechanical into the realm of music.” – The Guardian