The chorus of boos for London’s National Theatre director Trevor Nunn is growing. “Like circling vultures, half of what used to be called Fleet Street have pounced on the events and suddenly accused Nunn of every sin in the book: artistic incompetence, overspending, pandering to white middle-aged audiences, sticking to the boring programming of safe, well-tried classics or musicals at the expense of cutting-edge contemporary drama and, last but not least, of arrogance for trying to run the ship himself and not appointing associate directors to help him pick plays for the National’s three stages.” Is the criticism justified? – The Telegraph (UK)