Nicholas Hytner’s ambitious plans for London’s National Theatre, anounced last week, are a big hit. “Doing stripped-down productions, ‘with big, bold, simple strokes’ and a minimum of costumes and scenery, is a way not just of bringing down prices and attracting new audiences, but ensuring that great plays are freshly considered in one of the world’s most exciting theatrical spaces. Nor is he merely after the elusive ‘yoof’ to which our arts commisars are so enslaved.”