This summer’s Vennice Biennale carries the subtitle of “The dictatorship of the spectator.” So what does it mean? “Is it that the spectator is the artist’s enemy, distanced by a different viewpoint? How important is the spectator anyway at the Biennale? Apparently not enough. One of the stated aims of this year’s show is to increase the number of visitors, which usually nose-dives after the initial crush of the opening week. The last Biennale attracted 243,498 in six months, 30,000 of whom were press who visited in the first three days.”