“Clearly Britain is in a bad way. A watered-down conceptual art is the current orthodoxy. Much of what looked new and radical when it first emerged in the 1960s is now being run past us again, and it’s limping badly. And so much of it is the same. It really looks as if art students were issued with a pattern book of how to come up with a show — six ideas on the back of an envelope: good tried-and-tested old concepts that won’t cause anyone too much trouble. How has this come to pass? The decline of one of our greatest glories — the art schools — has much to answer for.”