Readings of new plays have become an ubiquitous part of the process of getting a new play to the stage. “Readings have become, if not the name of the game, at least a very important part of the game when it comes to the art and business of the theatre. And the topic also raises the hackles of many playwrights and actors, who feel readings have, in many cases, become an abusive substitute for salaried rehearsals or even productions. At the same time, it’s generally agreed that when done with proper intention, readings can be invaluable for writers and performers.”