“If most years are dispiriting for full-time opera companies because of the parlous state of their finances, against which they generally manage on stage to achieve minor miracles, this one was different; there was less talk of monetary problems (with certain exceptions) and far more of artistic disappointment, especially where the two London-based companies were concerned. It’s hard to think of more than a couple of productions at either the Royal Opera House or at the Coliseum (before ENO temporarily decamped to the Barbican to allow its home to be renovated) that lodge in the memory or could remotely merit a revival.”