“Apart from the justly renowned big guns, there are two kinds of writer at work in the English-speaking world today. First, there is the ‘writer’, who enjoys wide media coverage and is an expert manipulator of soundbite culture. The ‘writer’ has virtually no readership and keeps him or herself in play by the constant massaging of the literary media. Then there is that almost-forgotten figure: the writer, who stays at home, keeps regular hours, does the work, accumulates a readership and is virtually invisible.”