As New York’s Museum of Modern Art looks towards the November opening of its new $858 million Manhattan home, it faces a defining moment in its history, and a moment in which it hopes to abandon the linear way in which its collection has always been strictly organized. “Defined for so long as the arbiter and guardian of progressive art, MOMA reopens… at a time when even its own curators no longer believe that art progresses like science. Narratives overlap and intertwine; instead of one big story, there are many competing stories… But complexity too often leads to incoherence. Can MOMA, the most influential voice in the modern-art establishment, still tell the story of 20th-century art in a convincing way?”