The UK’s largest theater companies are openly soliciting the younger generation of playwrights to write the next generation of great British plays. “We are, it seems, witnessing a shift in the theatre culture, an explosion of energy not witnessed since the emergence of Joe Penhall, Mark Ravenhill, Sarah Kane, Conor McPherson et al through the Royal Court a decade ago. That energy has, however, long since dissipated,” and the best young writers tend to be found working in the television world, making for a work experience which doesn’t necessarily translate well to the stage.