The Minnesota Orchestra’s highly regarded new recording of Beethoven symphonies might be a short-term success, but does it really bode well for orchestral recordings in the longer view? “The Beethoven series does nothing to distinguish the orchestra — countless other recordings of this music exist — nor does it further new music. Orchestras can’t afford to ground their 21st-century futures on 19th-century music… By championing living composers as their own and entwining the recordings of their works with performances, orchestras can establish distinct identities regionally and internationally and ensure the vitality of new music.”