“What is the purpose of a national theatre, a national opera or ballet company, a national orchestra, or a national gallery? What is the meaning of the word ‘national’ in those famous organisations? Is it simply a matter of pride and funding, an indication that those particular institutions have the backing of an entire nation, its hopes and dreams of excellence? Or is it more complicated than that: do we expect these arts organisations, above all others, to embody in their work something essential about the nation?”