Philanthropist Alberto Vilar is not a sympathetic figure, no matter all the money he gave to opera. But “whatever the outcome of the charges against him, only a blinkered diva worshipper could deny the vast amount of good that Alberto Vilar has done. Setting aside his $45 million to the Met, which went mainly on braindead productions, and another $10 million or so to Placido Domingo enterprises, Vilar will go down in the records as the man who installed seatback surtitles in major opera houses, introduced young singers’ programmes all over the place and generally gave a hard-pressed art a chance to step back and take stock of itself. His greatest benefice, and the least acclaimed, was his saving of Covent Garden.”