“James Cuno is among a growing number of museum directors who have grown queasy at the way the “major” temporary exhibition has become a nearly annual fixture at art institutions like the Chicago Art Institute. Yes, blockbusters create excitement, draw huge crowds and massive media hype — all of which gives museums chances to shine and, oh by the way, earn wads of cash from increased concessions and memberships. But at what cost? Through the ’90s, there was too much emphasis on temporary exhibitions because they came to dominate the museum’s activity and, worse, people’s expectations of the museum.”