The 2006 edition of the Adelaide Festival will aim to heal the wounds left by the much-maligned 2002 version overseen by Peter Sellars, and the latest thinking appears to be that a merger of art and technology is the best way for the festival to move forward. “It is minimalist, futuristic and, to use one of [festival] director Brett Sheehy’s buzz phrases, ‘reflective of the giga-faceted world in which we live’.”