Michael Feingold has written about theatre for the Village Voice for 34 years. “That so many Voice critics have been, openly, practitioners has often given uptown journalists pause. But it had to do less with the long-standing tradition of the critic-playwright than with the communal nature of what had evolved, by the early 1960s, into the Off-Off-Broadway movement. While Off-Broadway itself became more upscale and commercial minded, the Downtown theater had burgeoned into a large, loose pool of extraordinary talents that was a community in itself. Not to participate actively would have marked one as hardly more than a tourist in an audience where, it sometimes seemed, everyone was a practitioner, and usually a multitasker at that.”