Plymouth, that’s where, as increasingly the Theatre Royal pushes the envelope. “Plymouth may be geographically isolated, but London theatre gets stuck in its own cultural ghettoes. Because we are not metropolitan and fashionable, we have to look very hard at what we can give artists, and one of the things we can offer and develop is a collaborative rather than a competitive culture. I think one of the reasons that writers and companies keep coming back is because we actually talk to them, discuss what they want and how we can help them do it. It is not about the vanity of creating the next big thing but about creating a culture where people can thrive.”