No opera could ever be as chaotic and melodramatic as the scandal currently enveloping the English National Opera. But as dark as things seem at the moment, the Australian financial whiz recently appointed to replace Sean Doran at the ENO’s helm believes that she has a plan that will turn everything around. Loretta Tomasi is hardly a classic arts administrator, and comes from the world of finance and for-profit companies, a quality which immediately makes her suspect to many in the arts. But despite all the recent dust-ups in the press, the ENO is on the verge of retiring its accumulated debt and returning to normal operations after three years of emergency funding from the government. Of course, that doesn’t alleviate the company’s artistic problems…