“Because it has been forced to shake the collecting tin so vigorously at the private sector, Covent Garden is clearly now in an uneasy position, straddling the Atlantic. Like its European equals, it has a great annual grant from the government, but, like any first-class opera company in America, it also relies heavily on favours from the corporate sector. Which means that every night at the Opera House, the well-upholstered behinds of City donors are sitting on the best seats, which have been partially funded by the taxpayer. And although those donors are also taxpayers, it somehow grates that a publicly funded institution is essentially reserving its most glittering glitter for people who can cough up more than £100 per seat.”