What do we do when the greatness of an artist’s work clashes with a serious flaw in his/her character? For years, the debate has raged around the music of Richard Wagner, a notorious anti-Semite whose music became, for a time, synonymous with the Third Reich. But what about the British composer Benjamin Britten, who has been known for decades to have been something close to a pedophile? Should this fact affect the way we listen to his music? Should we listen to it at all? The answers aren’t easy…