“Whether it’s people of color, young children, people of faith, or other affinity groups, they usually come once for the exhibition that speaks directly to them and then they leave. This experience suggests that the concept of the encyclopedic mega-museum as the best repository for all masterpieces of all cultures is, at best, debatable. The lesson of the Musée Quai Branly in Paris is that we also need smaller “niche” museums that appeal to particular cultural constituencies—those who often feel marginalized in, or intimidated by, the grand art palaces where the great masterpieces of Western European and/or American art usually have pride of place.”