“Until he builds his first building at the age of 52, he has spent no more than three weeks working as a professional architect. A theorist, he conceives of beautiful but commercially improbable, ostensibly unviable buildings – ostensibly, because some of the same mad designs he once scrawled in his basement office are now the toast of the architecture world. Indeed, from nowhere, Libeskind vaults into the rarefied world of celebrity. People accost him in restaurants, take his picture on subway platforms. He is lavished with prizes, commissions, money. He designs furniture, grand pianos, opera, becomes a media darling and a household name.”