“Why wrestle an unwieldy 500-page novel into a screenplay, lopping off key characters and subplots, when you can tackle a much more manageable 20 pages, with a third of the characters and half the irony?”
“Why wrestle an unwieldy 500-page novel into a screenplay, lopping off key characters and subplots, when you can tackle a much more manageable 20 pages, with a third of the characters and half the irony?”