Can Serra Make MoMA’s Building Better?

When New York’s Museum of Modern Art opened its new building in 2004, the critics loved it. Two years later, the same critics hated it. Now, with a new Richard Serra retrospective filling the space, some critics are headed back the other way. “The exhibition clarifies and works to justify the Taniguchi design. The interaction between the sculptures and the galleries here is about as effective as can be imagined.”