“South Korea is at the forefront of the new wave of break-dance, or b-boy, artistry, but dancers from France to China are also incorporating elements of jazz, capoeira, acrobatics and martial arts into longer choreographed works that are intended for a mainstream audience and the legitimacy of a proscenium stage. Though still largely unknown, this new generation has reinvented a movement style that in many ways had been exploited and dismissed.”