“It’s worth remembering, particularly in an age of ‘inclusion’, that most good drama is not multicultural. It’s created by exploring singular worlds, where there is no allowing for the interplay of gender, race, sexuality and class.”
“It’s worth remembering, particularly in an age of ‘inclusion’, that most good drama is not multicultural. It’s created by exploring singular worlds, where there is no allowing for the interplay of gender, race, sexuality and class.”