“Did composers ever think that newness consisted in simply more of something: more dissonance, more dynamic contrasts, more chance, more determination, more whatever? More is a bottomless pit. This kind of newness is closer to fashion.”
“Did composers ever think that newness consisted in simply more of something: more dissonance, more dynamic contrasts, more chance, more determination, more whatever? More is a bottomless pit. This kind of newness is closer to fashion.”