A Financial Model For The Arts That Works

“Here at the very heart of subsidized Europe, the Festspielhaus Baden-Baden is a nonprofit venture, or the German equivalent without American-style tax breaks. It receives not a cent of public money, save for a long-term payoff for the construction of its 2,500-seat hall.” Here is an “example should make everyone, on both sides of the Atlantic, think twice about cultural economics and the costs of achieving true quality in the arts.”