“It’s a measure of how greatly Michael Boyd has transformed the Royal Shakespeare Company’s fortunes since he took over as artistic director in April 2003 that it’s only at the end of an hour’s conversation, just as various assistants materialise to summon him back to rehearsals, that the question of the RSC’s troubled past arises, almost as an afterthought. There was a time … when ‘the problem’ of the RSC would have been the first, second and third item on the agenda.”