Alastair Macaulay: “The full-evening Clytemnestra was first presented 50 years ago. It’s been claimed as the ultimate Graham dance drama, as an overambitious and pretentious mess, as the climax of the choregrapher’s 1940s-50s era of dramatizing Greek myths in psychological terms, as a turgid collection of stylistic clichés … I find all these responses valid; and I’m glad I was there.”