New York Times theater critic Neil Genzlinger: “Back in 2001 I was sent to review a play at the Fringe, a two-hander called Hustle that left me underwhelmed. … I took in a few other Fringe shows that year as well, and I soon came to this conclusion: ‘Heck, I could write better plays than this’.” (He tried, twice.) “Since then I’ve absorbed a bit more of the Fringe culture … and now know the keys to mounting a successful Fringe show:”