At 47, Takashi Murakami “is already turning fatalistic. The art world wunderkind,” now embracing self-portraiture, “believes that the real battleground for artists lies not in the time when they are alive, but in the future after they are dead.”
At 47, Takashi Murakami “is already turning fatalistic. The art world wunderkind,” now embracing self-portraiture, “believes that the real battleground for artists lies not in the time when they are alive, but in the future after they are dead.”