“In this particular production I experienced what I would consider the darkest side of Regietheater, where the back of Beethoven was used for a concept. … This concept used and abused Beethoven’s greatness in a way that was very disturbing to me.”
“In this particular production I experienced what I would consider the darkest side of Regietheater, where the back of Beethoven was used for a concept. … This concept used and abused Beethoven’s greatness in a way that was very disturbing to me.”