That was one Indian critic’s reaction to Dibakar Banerjee’s new film Love, Sex Aur Dhokha (“Love, Sex And Betrayal”), part of “an important new wave in mainstream Indian film-making … [whose] preferred subjects are sex and relationships, communal and caste turmoil, and the increasing divide between a thriving consumer class and the traditional rural poor – topics that rarely, if ever, feature in Bollywood.”