“What now? Is there a sufficiently large audience for new and unfamiliar operas to keep NYCO afloat? Should the company instead turn back the clock and stick to “Carmen” and “La Bohème”? Or is there yet another road to solvency for City Opera?”
“What now? Is there a sufficiently large audience for new and unfamiliar operas to keep NYCO afloat? Should the company instead turn back the clock and stick to “Carmen” and “La Bohème”? Or is there yet another road to solvency for City Opera?”