“[This was] the year when Bob Dylan cut his first album. Andy Warhol’s first solo show, an exhibition of Campbell’s Soup cans, opened in Los Angeles in 1962, and Edward Albee’s Who’s Afraid of Virginia Woolf? opened on Broadway. As dissimilar as these now-venerable objets d’art may seem to us now, they all had in common the iron determination of their creators to break decisively with the earnest, self-confident tone of postwar culture.”