“In the end, however, [Jeffrey] Deitch is no more than a symptom, one of the malign forces that emerged from the Pandora’s Box that Rauschenberg opened when he announced that he wanted to work in the gap between art and life.”
“In the end, however, [Jeffrey] Deitch is no more than a symptom, one of the malign forces that emerged from the Pandora’s Box that Rauschenberg opened when he announced that he wanted to work in the gap between art and life.”