“Lynch’s best films have a creepy mixture of privet-fenced normality and psychosexual violence. There isn’t much of either in Tillim’s photograph. Lynch must have just liked it. But then things get very Lynchian indeed.”
“Lynch’s best films have a creepy mixture of privet-fenced normality and psychosexual violence. There isn’t much of either in Tillim’s photograph. Lynch must have just liked it. But then things get very Lynchian indeed.”