“In Wagner’s opera, the mortal Tannhäuser sins by loving the goddess Venus. Today the story can no longer be told as a scandal that leads to expulsion from society. I’m interested in the great archaic theme of guilt. Why then shouldn’t Tannhäuser be made into a perpetrator, into a war criminal? In my staging Tannhäuser is forced by members of the Wehrmacht to shoot a family. The production deals with individual guilt under National Socialism and during the development of the Federal Republic of Germany.”