Recently The Spectator‘s Lloyd Evans wrote of his colleagues, “Critics who go into raptures over near-flops risk turning their columns into the sort of perfumed screeds recited at the funerals of Asian dictators.” Does he have a point?
Recently The Spectator‘s Lloyd Evans wrote of his colleagues, “Critics who go into raptures over near-flops risk turning their columns into the sort of perfumed screeds recited at the funerals of Asian dictators.” Does he have a point?