Guillermo Del Toro’s Problem With Most Special-Effects Shots

“Normally, every FX shot looks like a cool shot. You go out the window, the character’s drinking some wine. You go out the window, you go around the block, into the next tower, out of the tower, into an airplane passing by, and you’re in the lap of a passenger in first class. And all you’re telling them is ‘cool shot, is that real?'”