“The compound modifier that many readers and critics have settled on to describe Ms. Aboulela’s work is Sudanese-British, which leaves plenty of room for criticism in a world of relentless categorization.” (And then there’s Scotland.)
“The compound modifier that many readers and critics have settled on to describe Ms. Aboulela’s work is Sudanese-British, which leaves plenty of room for criticism in a world of relentless categorization.” (And then there’s Scotland.)