In part three of a series on what’s ailing America’s flagship opera company and how to cure it, Dawn Fatale looks at engaging the public and at casting – and says the Met must stop casting five to six years in advance.
In part three of a series on what’s ailing America’s flagship opera company and how to cure it, Dawn Fatale looks at engaging the public and at casting – and says the Met must stop casting five to six years in advance.