“Above all, perhaps, Clark was a brilliant wordsmith, the most seductive writer on art since Ruskin and Pater, whom he greatly admired. Today, when most art historians write as joylessly as lawyers and accountants, such verve is sorely needed.”
“Above all, perhaps, Clark was a brilliant wordsmith, the most seductive writer on art since Ruskin and Pater, whom he greatly admired. Today, when most art historians write as joylessly as lawyers and accountants, such verve is sorely needed.”