“One line of complaint can be boiled down to the assessment of a critic at the time of the National Gallery The Passions that Viola is ‘a master of overblown, big-budget, crowd-pleasing, tear-jerking hocus-pocus and religiosity.'”
“One line of complaint can be boiled down to the assessment of a critic at the time of the National Gallery The Passions that Viola is ‘a master of overblown, big-budget, crowd-pleasing, tear-jerking hocus-pocus and religiosity.'”