“The performance will last until her rapist has left campus. The mattress will only be carried on campus. She cannot ask for help, but can accept it once it is offered. Once a person helps her carry the mattress, they enter into ‘the space of performance.’ By quite literally bringing the site of the crime (in this case an ostensibly ‘safe’ domestic space) into public sight, Sulkowicz’s performance relocates its subject in between the shifting grounds of public and private, personal and political.”