“I am a Bollinger Bolshevik, apparently, because I believe I should have a final say in what my tickets cost, in order to manage audience expectation of the work itself, to control perceptions of my own apparent avarice and to make sure that money that is spent on me by punters reflects the cost savings I and the venue have cut corners to make, and the public subsidies the venue may have received, all of which are designed to make entry to the show viable, so that all sorts of people can come along and think I am shit together.”