“It is extraordinary that a design that triumphed over 1,700 competitors should turn out to be rather ordinary. It is respectful, yet teases out no identity unique to Helsinki. The design considers no new way to look at art that would make it a must-visit. (The Guggenheim Bilbao transformed yet belongs.) It does not look like a gaudy franchise of a global brand bent on commodifying culture, as opponents feared it would, but neither does it look essential.”