“She caused a revolution by simply, sweetly, turning to spaces that other dance-makers don’t. But she also caused a revolution in the space of the human body. She rejected the pulled up stance of ballet and the inner torque of Martha Graham. She loved Merce Cunningham’s work but she had no wish for dancing bodies to be so upright. She was going for something else, something more yielding, more off-balance, a way for the energy to flow on unusual paths through the body.”