“Feeling that critics and the public had long ignored work into which she had poured her heart and soul, De Mille found herself dispirited by the sense that something she considered ‘only fairly good'” – her choreography for Oklahoma! – “was suddenly hailed as a ‘flamboyant success.’ Shortly after the premiere, she met Graham ‘in a Schrafft’s restaurant over a soda’ for a conversation that put into perspective her gnawing grievance and offered what De Mille considered the greatest thing ever said to her.”